Tag Archives: Sigmund Freud

SUBURBIA & EXURBIA: Creatures of the Communist Manifesto, Targets of Agenda 21 (the Elite Struggle to Perfect its Vision for World Control)

Compare and Contrast Agenda 21 and the Communist Manifesto:

 Manifesto of the Communist Party:

http://www.youtube.com/watch?v=WrdmjBAX0E0&feature=player_embedded

Vacillation, 180 degree aboutfaces, and unpredictability, “arbitrary and capricious” decision-making, constitute regular themes in the history of tyranny from time immemorial: the Egyptian Pharaoh Akhenaten (Ikhnathon, Khuenaten, Amenhotep IV) may have been the first arbitrary and capricious tyrant interested in social reform.  He not only abolished all the prerogatives of the Ancient Egyptian Priesthood (who largely controlled and administered agricultural production and food storage for the entire Nile Valley—the most fertile stretch of land in the world, until the Aswan High Dam was completed….the construction of this murderous dam was another idiotic “from the top” elite decision made arbitrarily and capriciously without any regard for ecological process or the reality of how Nile River Valley fertility had been maintained at the top of the world food chain for over five thousand years).

Akhenaten also ordered a forced resettlement and demographic redistribution of the Egyptian “power elite” the entire decentralized nobility of Egypt to be concentrated around him (like planets around the sun…) at a brand new city, El Amarna, designed and decorated strictly according to the new king’s desire to make himself, and his “one God, the Sun Disk Aten” the center of a brand new agricultural, biological, cultural, demographic, economic, fiscal, geographical, historical, ideological, knowledge dispensing, legal, moral, normative, official, political, and social world order.   Akhenaten’s tyrannical experiment was so disastrous that he (and his son/heir Tutankhaten/Tutankhamen) were so despised that they were stricken from the already two thousand year old dynastic king lists of Egypt, and their described in later history (e.g. Manetho) as the time of the Leper Kings…. Now writers from Sigmund Freud (Moses & Monotheism) to Jan Assmann have of course been intrigued by the chronological correlation between the reigns of Akhenaten/Nefertiti/Tutankhamen and the “Shashu-Hapiru” “Exodus” led by Moses, but whether this was the inauspicious start of monotheistic Hebrew Religion, Judaism, Christianity and Islam is entirely beyond the scope of the present essay.  

I mention Akhenaten’s first the tyrant decrees only because his was the first recorded episode of forced resettlement and urban redesing or “urban planning” for the sole purpose of ideological purity and to make cities the expression of a supreme ideology.  

In our time, really over the past 165 years since February 1848, we have seen Communist ideologues in the tradition of Akhenaten first decree that cities are bad, then engage in 140 years of continuous “suburbanization” an decreased demographic density, only to suddenly start turning around sometime in the late 1980s-1990s and start decreeing that CITIES are good, the SUBURBS and SUBURBAN LIVING are evil, that all ecological disasters come from DIFFUSE DEMOGRAPHICS with high consumption (i.e. easy, high quality) lifestyles.  Starting with the “urban renewal” under Ronald W. Reagan followed by the accession of King George H.W. Bush in 1989, the ideological trend continued so that urban dwelling now epitomizes sacrifice and limited living in comparison to the grotesque and ecologically flagrant excesses of the high end consumer lifestyle to which the world living in the suburbs has become accustomed.  

IS IT ONLY a coincidence that the final excessive bulge of suburban development under Clinton & King George W. Bush ended in what appears to have been a preplanned, premeditated mortgage foreclosure holocaust with the intended purpose of abolishing the suburbs?

It is hardly news that Karl Marx & Frederick Engels, between the two of them, effectively invented the modern social sciences—ALL OF THEM.  Oh, to be sure, Political Philosophy & Practical Theory had existed since at least the time of Plato and Aristotle, and economics had existed at least since the 18th Century and the writings of Adam Smith.  But Sociology & Anthropology certainly had no pre-Marxist existence at all, and were formed as academic disciplines largely in reaction and response to the Marxist theory of Cultural Evolution.  

The Communist Manifesto of February 1848 was primarily an exhortation to action (in the form of World Revolution and the resultant obliteration of “culturally normative, moral and political reality” as know prior to that date).   But it contained amazing little nuggets which have haunted the world ever since.

It is unclear to me what the origin of the Manifesto’s advocacy of an abolition of the distinction between urban and rural living may have been.  I have no ready explanation for why human populations should NOT have both urban and rural components.  To me it seems quite natural that civilization, among its other “discontents”, involves a division of labor and of interests which align very nicely along the division of society into urban and rural foci.

But for whatever reason, I suppose primarily the abolition of all sources of differentiation between human beings, Marx and Engels proposed a progressive elimination of the distinctions between urban and rural living, and the Social Sciences have been obsessed with this distinction and its significance EVER SINCE.

But not only to the academic mind, but also to the “applied social sciences”—political and social engineers of what has come to be known as “urban planning” or “community development”, the distinction between the city and the countryside has become a major preoccupation.

After 1850, for the very first time in both Great Britain and America, and then in the rest of the world, we witness the conscious development of “less dense” urban peripheral settlement which rapidly became known as “suburbia.”  The decrease of population density BY DESIGN was consistent with the Communist Manifesto and hence with social sciences.

There was an academic movement at the University of Chicago Department of Sociology in the 1920s-1940s under the direction of Dr. Robert Redfield to study and deepen our understanding of what he called “the Folk-Urban Continuum”.  It turned out the definition of this continuum almost always depended on local history and politics rather than direct in situ cultural evolution, but the Marxist plan was that “cultural evolution by design” was meant to shape the future.

And so it was that first London and then Boston and New York and New Orleans developed “suburbs” whose houses and land tenure regimes were somewhere between “high density urban” living (characteristic of the boroughs of Manhattan and Queens, for example) and true rural areas.  Cambridge and Somerville Massachusetts and the “Boston Back Bay” were 19th century examples of suburban developments in the United States, but even the City of Jefferson and Faubourg Livoudais in New Orleans (aka “the Garden District”) had this characteristic of low density suburbs gradually added on to the city.

By the 1960s, everything was up to date, even in Kansas City, and “suburban development” had gone about as far as it could go in Overland Park and Leawood, and in North Dallas and all around the Houston Beltway, and all along the western edge of Chicago, never mind throughout the San Fernando Valley and Orange County in the great metropolitan agglomeration of suburbs that grew up around the originally tiny railroad terminus city Los Angeles and became monstrously unified as a single political entity in the County of that same name, along with a few stubborn smaller cities like Pasadena, San Marino, Beverly Hills, Long Beach, and Santa Monica.

After some stagnation and malaise during the 1970s, under Ronald W. Reagan, American EXURBIA was born to continue the Communist Manifesto’s plan to break down the distinctions between urban and rural.  For the past 33 years, people have been putting “suburban” houses on mega-lots of 2-10 acres all around the country, eating up valuable farm and orchard and ranch land while producing nothing, and it seems that the barrier between urban and rural had finally really and truly been abolished.  Nobody knew where they lived any more: in a city or suburb or exurb, and it just didn’t matter because everybody had CARS, Fords fulfillment of Freud’s advocacy of instant gratification without much effort.

And then, even in the ashes of Ronald W. Reagan’s promise to restore capitalism and sound government and economy to America, starting with the most deceitful and dishonest of all politicians, namely George H.W. Bush, his sons, the Clintons, and their-jointly anointed Kenyan-born heir and preserver Barack Hussein Obama, Agenda 21 was born: the first major totalitarian ideal since the Communist Manifesto (namely global world-movement ENVIRONMENTALISM).

Now, oddly enough, the primary target of Agenda 21 is the SUBURBAN and EXURBAN lifestyle born in, created-developed-and-elaborated by Communism.  Even more ironic is how the primary opponents of Agenda 21 are those who value and treasure the suburban and exurban lifestyles and decry the One World Government and Wealth transfers implied by Agenda 21.  

The Social Sciences have now all magically turned against the suburbs and back in favor of the cities and promoting DENSE, TIGHTLY PACKED URBAN LIFESTYLE—basically going back to living the way Abraham and his family lived in Ur before they decided to seek an less densely populated “promised land” deeded them by covenant some days west of Ur in what must have seemed (at that time) much like the empty California of the 1850s—a land of milk and honey….

The arrogance of elite social engineers is staggering to me.  I personally hold Harvard Ph.D. in Anthropology & History so I think I know something about elitist Social Science arrogance, especially since I took this over to the University of Chicago somewhere in the late interim between the socialists of Robert Redfield’s & Barack Obama’s eras when the U of C was pretending to be a “conservative” and “free market oriented” island in Academia…. under the leadership of such nominally anti-Marxist non-Keynsian monetarist fence-sitters as Milton Friedman and the members of the “Chicago School of Law & Economics”….

Knowledge is freedom—this I have always believed in the spirit of He who taught us, “Know the Truth and the Truth will Set You Free.”   I suggest that the true-anti-Marxist, anti-Collectivist, anti-Agenda 21 counterrevolution should focus on returning each family to autonomous food production and the genuine self-sufficiency that only such production can provide.  The great modern technological innovations of Solar Power and Wind Power as sources of electricity should be harnessed on the individual, family, and at largest multi-family neighborhood level so that “freedom from the grid” will again become a reality.

I look to my Southern Agrarian ancestors and the Southern Literary movement known as “the Fugitives” which saw virtue and autonomy in the truly rural world of the Old South as an inspiration.  The Southern Agrarian Tradition has its roots in the philosophies of Thomas Jefferson and Andrew Jackson who looked to truly rural production as the primary source of wealth and power in society.  Agenda 21 advocates, through the mechanisms of communist totalitarianism, the world of elitist power control over people which can ONLY exist in cities, densely packed cities….which have always been the grounds most inimical to freedom….. America’s freedom has diminished directly and proportionally to the increase of its cities, and this is a pattern to be reversed.  How ironic that the world planning elite has now gone back on itself, against one of the original tenets of the communist manifesto from which it derives all of its inspiration and “academic” authority as creator/masters of the social sciences…..

 OH FOR A REBIRTH OF THAT RED-ROOSTER CROWING WORLD!

Note: I acknowledge and look back to my freshman year at Tulane (1975-1976) with great nostalgia for my introduction to the literature of the Fugitives and Southern Agrarians in a course called “Crisis in Culture as Reflected in Modern Literature” that I took from Cleanth Brooks, one of the last survivors of the Southern Agrarian Movement.

Agenda 21—”Environmentalism as the New World Religion”—South Australia’s Ann Bressington lays it all out very simply and directly—World Government at its Worst….”Profound Reorientation of Human Society”

Is Environmentalism the New World Religion?  (I am reminded of Sigmund Freud’s booklet “Der Zukunft einer Ilusion” published in 1927—“the Future of an Illusion” about how “bad old” religion would just be replaced by “good New, progressive” religion which covers all the same territory…
Will sterilization of masses of the world population “save mother earth?”
Does the Private Ownership of Land Contribute to Social Injustice, or PREVENT IT?
Ann Bressington has presented this catastrophic movement in simple and direct terms. EVERYONE needs to watch this video and forward it.
A totally different side of the mortgage crisis and foreclosure epidemic is the alliance of the Bankers with the Agenda 21 mad FALSE environmentalists.  Let me make this clear: I for one am deeply concerned about the early industrial era-through-modern human impact on the environment.  I was President of the Environmental Law Society at the University of Chicago Law School and chaired colloquia on the Exxon-Valdez and Amoco Cadiz Oil Spills.
In 1991-1992, I sided with those political leaders in Louisiana who were in favor of “nullifying” the power of the U.S. Army Corps of Engineers and expelling the then much less powerful FEMA because EVERYONE expected a Katrina-like disaster decades before it happened—and the only solution would have to restore natural water flows to the Mississippi River and allow the natural deltaic buildup of this state by land accretion through flooding to take place in the Atchafalaya Basin.
But Agenda 21 is not a true environmental agenda but a post-Industrial Corporate-Socialist-State-Communist agenda to destroy the rights of the individual, the constitution of the United States and every democratic country, and to reduce us all to the serfs of state planners.  If you have not heard of Agenda 21 or are only vaguely familiar, I urge you to listen to this very brief and succinct presentation by Ann Bressington, an almost unknown politician (member of Parliament) from South Australia who “hits the nail on the head.”  I urge everyone to pay attention and start studying Agenda 21—it was being promoted at Cadwalader, Wickersham, & Taft in the early-mid 1990s at the same time when I witnessed, participated in and criticized that oldest of all Wall Street Law Firms as it was introducing securitized mortgages to the United States—like Ann Bressington’s critique of Agenda 21, my critique of securitization was that it NULLIFIED COMMON LAW….
“Redeployment” of natural and human resources means worldwide slavery….

The Impossible Dream…

The Impossible Dream….

Is restoration of a Constitutionally Limited Government in America an Impossible Dream?  Is there any way that we can right the unrightable wrongs against freedom and individual autonomy that have been done in the name of “progress”, “protection,” “public safety” and “security?”

If such restorations and rectifications indeed lie out side of the realm of the possible, I still agree with this song that it is better that we dream of such things and “be willing to march into hell for a heavenly cause”, than that we let our dreams die in peaceful and quiet despair….

I confess that the discovery of Obama’s Executive Order 13603, entered last March 16, 2012, has had a profound effect on me.  I think that almost all of our OTHER struggles are hopeless and in vain now, until we can start overturning some of these terrible perversions of executive power into dictatorship….

They say that Rock Hudson and Jim Nabors were gay lovers, and if so, who cares?  They were quiet and civilized about it and it doesn’t diminish one bit the fact that Jim Nabors has a beautiful voice and performs this stirring song of idealized knighthood and heroic dreaming far better than Peter O’Toole managed during his otherwise masterful performance as the Knight of the Woeful Countenance in the movie “Man of La Mancha.”

Was the world really a poorer place when people kept their eccentricities private?   Freud taught us that guilt lies at the very foundation of civilization and civilized life—I don’t know whether that’s true or not—I find a lot of Freud’s notions bizarre and anthropologically/historically untenable.   But in its milder forms of modesty and keeping our private lives private, is “guilt” really such an awful thing?  My long-term assistant Peyton went up to San Francisco about a year ago for a vacation and found himself in the middle of a “gay pride” day.  The stories he told me about what people were doing in the streets were not something that would make me proud (gay OR straight).   Sigmund Freud may have been a Jew and Henry Ford may have hated Jews, but isn’t it odd how they both promoted the culture of “instant gratification” and constant change in lifestyle and behavior of all kinds which culture has come to dominate our world?

“Behold El Capitan,” “Remember the Maine,” Guy Fawkes’ Day, September 11, and the Culture of Deception

Some of my happiest days as an undergraduate at Tulane University were spent in Dixon Hall under the tutelage of my voice and singing instructor Francis Monachino, long-time Chairman of the Tulane & Newcomb Music Departments and a great and inspiring teacher.  

My first part in any major production at Tulane was as “Senor Amibile Pozzo, Chamberlain of Peru” in John Philip Sousa’s Comic Operetta El Capitán (Premiered in April 1896 in Boston & New York).  I never realized it at the time, but this comedy had great historical significance, and may have played a part in launching 20th Century America’s Culture of Deceit and Deception.  

The plot is pure farce, on its face: “El Capitán” is in fact Don Enrique Medigua, a fictional Spanish Viceroy of Peru, which was in reality the richest of all the dominions in the New World, whose production of gold, silver, and agricultural products far outstripped even Mexico during the 16th, 17th, and 18th Centuries.  Don Medigua fears assassination by rebels, and secretly arranges for the murder of the (real) rebel leader known as “El Capitán” (so the real rebel leader plays no part in the operetta). Unbeknownst to the rebels or anyone except his Chamberlain Pozzo, Don Medigua disguises himself as El Capitán and sabotages the rebel movement from within, but not before allowing the beautiful Estrelda, daughter of the former Viceroy, to fall madly in love with him based on his reputation as a fierce terrorist and warrior.  Don Medigua’s actual wife and daughter think he has been kidnapped by the rebels and have Pozzo pretend to be the Viceroy so that the Spanish born Aristocrats of Peru will not lose hope and despair.   An enterprising band of rebels then capture Pozzo, believing him to be the real Viceroy, and bring him before El Capitán who is, of course by this time in something of a pickle.   But Don Medigua disguised as El Capitán has so completely exhausted the rebels by his “mis-leadership” that the rebellion collapses, the Spanish nobility wins, and the story ends “happily.” 

A thought that never occurred to me when I was playing Pozzo at 16 (to Anthony Laciura’s brilliant performance as Don Medigua/El Capitán) now seems so obvious to me: was it mere coincidence that the most popular writer of military marches in American history composed this operetta less than two years before the sinking of the Battleship USS Maine in Havana Harbor on February 15, 1898.  Most historians now concur that the Maine, the second armoured cruiser (pre-dreadnought Battleship) in the U.S. Navy, was deliberately sunk by its crew for the sole purpose of inciting American popular opinion in favor of America’s first “World Wide War” of expeditionary conquest (i.e., the direct precursor of Vietnam, Afghanistan, and Iraq).   El Capitán exemplifies the literary, historical, and/or dramatic trope that certain ideas appear first as a comic joke and then are later taken seriously: if John Philip Sousa’s operetta was not the template for the sinking of the Maine, it is nevertheless a remarkable historical coincidence that Don Medigua first murders and then impersonates his enemy in order to defeat him in a popular drama that was still playing all over the United States when the USS Maine blew up.

And yes, I write all this at the close of Guy Fawkes’ Day, November 5, 2011: Remember, Remember the Fifth of November, the Gunpowder Treason and Plot; I know of no reason why the Gunpowder Treason should ever be forgot.  I like to pat myself on the back and brag that no sooner had Osama bin Laden been named as the perpetrator of 9-11 than I predicted with great confidence that he was the new Gunpowder Plotter, and that 9-11 was the new 5th of November.  I predicted that bin Laden’s name would endure forever beside Guy Fawkes, but unfortunately, I had no role in producing the amazing movie based on that theme which came out in 2005, on the 400th Anniversary of the original Gunpowder plot in 1605.

V-for-Vendetta remains, to my mind, probably the finest political movie of the century, and I mean the past hundred years since the beginning of the cinematic film industry, not just the 21st Century in which we have lived for barely 11 years.  Natalie Portman and Hugo Weaving marvelously portray the principle characters in this story which explores all the possibilities of the use of the Guy Fawkes gunpowder story, and this movie has in turn given a new birth of metaphoric and dimensional analysis to the study of false flag attacks, false heroism, and the role of government as “first among all liars.”

There is not a shred of doubt that the movie V-for-Vendetta is the story of 9-11, metaphorically, allegorically, fictionalized as Britain under a pseudo-Fascist (Adam Sutler, whose name is awfully reminiscent of Adolph Hitler) instead of the United States of America under a pseudo-Republican (George W. Bush), in future time rather than historical, but with so many direct references to 9-11 and associated events…. well, it’s just incredible.  

Also incredible to me is that the Wikipedia article on V-for-Vendetta does not even mention the parallels between the Sutler regime’s use of false-flag bioterrorism against the British people and the (9-11 “Truth Movement’s” theory that the) Bush regime used false-flag air terrorism against the American people.  To me, the parallels are inescapable: the producers of V-for-Vendetta analyzed the same facts concerning recent history as those which gave rise to the 9-11 Truth Movement and came to the conclusion that terrorism originates not (primarily anyhow) with real Muslim extremists but with governments who see the “genius” of fear and use it against their own people to suppress civil liberties and maintain power.  

The Muslim terrorists (in both North American and Western European modern history and V-for-Vendetta mythology), to the extent that they are real, are rather like Guy Fawkes in the 17th century.  Modern Muslim terrorists, like Papist plotters of the past, have great value as symbols and embodiments of a real but rather vague threat to the national identity which justify the use and maintenance of real power.  The Papist threat in England could only materialize when it comes in the form of a Catholic King (like King James II Stuart, grandson of James I, against whom Guy Fawkes allegedly plotted, and younger brother of Charles II who had no legitimate offspring [although he had literally dozens of illegitimate children by his mistresses].  The tumultuous history of 17th Century Stuart England focused on the maintenance of royal power through popular fear of Catholicism, balanced against royal fear of popular power manifested through Cromwell’s Civil War and Commonwealth (including the Regicide/Martyrdom Murder/Execution of King Charles I on January 31, 1649 after a preposterous “show” trial of the King for treason) and finally the “Glorious Revolution” of 1688-1689 which firmly established the modern Constitutional Monarchy of Great Britain ruled by Parliament.

In Adam Sutler’s England, like George Bush’s America, maintaining fear of Muslims among the people supported the repression of the historical “English Freedoms” secured under Elizabeth I, James I, Charles II, and William III & Mary II.  If there are real fears of Muslim domination in America, they are coming to fruition under George W. Bush’s successor, “Barack Hussein Obama” whose name resoundingly echoes both “Osama” (bin Ladin, the modern Guy Fawkes) and the former dictator of Iraq whom George W. Bush decided to eliminate to maximize control over a nation which simply did not accept the “Bush doctrine” of Global government under US control.  

Any way you look at it: elaborate governmental lies concerning faked attacks and falsified heroes have been used to justify strong central governments for a very long time now.  It is hard to say whether the original Gunpowder Plot was real or staged. The “November 5″ plot on King James I and his wife and Court MIGHT have been real, and if so, it was a REALLY stupid plot (there was not enough Gunpowder under the houses of Parliament or any other explosive technology available in 1605 to have blown through and killed the King).  Even if successful, the plotters had no Papist “nominee” lined up to become King of England on King James’ death, and James’ eldest son at the time, the future Charles I, was only two weeks short of five years old on November 5, 1605. (But admittedly, if James AND his children had been killed, legitimate succession at that point might have been very difficult, in that no English Monarch since Henry VIII had had any children: all of Henry Tudor’s children: Edward VI, Mary I, and Elizabeth I, died childless, possibly in part a testament to their own horror at their father’s gruesome “family and marital” life and history).  

Other historians have seen Guy Fawkes as a “Patsy” (scapegoat) comparable in real role and status to Lee Harvey Oswald in the assassination of John F. Kennedy, being the “Fall Guy” for the “False Flag” Gunpowder Plot just as “9-11 Truthers” (including this writer) believe that Osama bin Laden was merely the “Patsy” for the events of 1998-2001 and afterwards which gave rise to the USA Patriot Act of 2001 and all the subsequent greatest suppressions of English and American liberties in the entire history of both nations since the reign of Henry VIII (who died 102 years and 3 days before the execution of Charles I, on January 28, 1547).  

The study of “false flag” terrorism and warfare is a rising subject of historical deconstruction.  It is stark testimony to the general lack of confidence people have in the U.S. government that a large number of people (polls differ) disbelieve the “official stories” of the Warren Commission concerning the events of November 1963 in Dallas, the origins of the Vietnam War in the “Gulf of Tonkin” incident the very next year, in August of 1964, and the subsequent stories of the events in the 1990s at Ruby Ridge (Idaho), Mount Carmel (Waco, Texas), Oklahoma City, the US Embassies in Nairobi and Dar es Salaam, and finally 9-11 itself in New York, Washington, and Pennsylvania.  Pearl Harbor, the trigger for World War II, was obviously not a “False Flag” attack (there is not and has never been any doubt that the Imperial Japanese Navy was correctly identified as the culprit, and that it acted under official orders from Tokyo). But many Americans (and others worldwide) believe that President Franklin Delano Roosevelt had despaired of ever finding a politically adequate or emotionally sufficient excuse to embroil or involve the United States into World War II, and so he either expressly invited the Japanese to attack or at the very least intentionally disabled the U.S. Naval and air forces around Hawaii in early December 1941.

The governments of the United States and the United Kingdom, in this day, appear to be governments based on a culture of pure deceit and deception.  All governmental pronouncements and actions should be regarded with the most stringent suspicion.  As one of the newscasters says in V-for-Vendetta ”we just report the news, we don’t make it up….that’s the government’s job.”

The Dark Sexual Meta-Politics of the “Black Swan”

Once again availing myself of the pleasure of New Orleans’ Prytania Theatre, I saw Darren Aronofsky’s “Black Swan” for the first time last night (opening night at the Prytania….pre-Oscar run I suppose). The line between the dreamworld and the real world is blurred—readers of this blog may have noticed that this is my favorite movie and dramatic theme and subject line, from Plato’s Cave (Republic Book VII) through Calderon de la Barca’s “La Vida es Sueno” to Lewis Carroll “through the looking-glass”, C.S. Lewis’ Narnia through the Wardrobe and the Lake between the worlds, Matrix, and Total Recall.  Black Swan follows in this tradition as a dark movie with very little light.  I confess that as of the writing of this I haven’t read any other reviews of it so the thoughts here are my own, untethered by other critical thoughts. The subtitle of this movie could be either: “After many seasons dies the swan” or “The Tragic Ritual of Divine Kingship: succession and passion, murder and sacrifice, among the heirs of Pavlova.”

Arguably my alma-mater’s most beautiful and talented alumna ever, at least of anyone whom I ever chanced to encounter at Lamont, the Fogg, Sackler, Tozzer, Peabody, or Agassiz at any time during any of my many and varied Cantabrigian years, Natalie Portman plays Nina Sayers, an aspiring ballerina in a City never expressly identified as New York, but where the blazes else could it be?  with a company never expressly identified as the New York City Ballet, but what other ballet troop uses Lincoln Center as its symbolic and practical home base?

Natalie’s character Nina seems to be a victim attacked and probably doomed from every angle.  The tension from the beginning seems to be: who is Lena’s evil Wizard? Her sharply ambitious mother Erica Sayers (played flawlessly by Barbara Hershey as a kind of evil twin to “Leave it to Beaver’s” mother—there are a lot of light/dark pairings in this movie—but that’s not really one of them) with her increasingly piercing eyes and comments?  The potentially and historically predatory Ballet Director Thomas Leroy with his aggressive, but apparently (possibly?) merely heuristic sexual aggression??  Or the obvious competitor, another more relaxed, laid back and highly sexual balerina Lily?

In other words, this movie invokes every major cliche of sexual politics in the modern world.  It is beautifully filmed and focused in alternating light and shadows and quite simply could not have been completed with any other actress, because I cannot think of any other young actress whom I personally (or the world) could stand to look at from every possible angle up close….  But it is impossible to get bored with Natalie Portman’s face, even when her expressions are ambiguous-to-inscrutable.  As it turns out, the incomprehensible nature of Natalie’s character Nina turns out to be no mistake, but the essence of the story.

I have long been extremely suspicious of sexual politics as an explanatory device for human failure and self-destructive tendencies.   I am most suspicious of stories of sexual harassment and sexual predation against younger females by male superiors and supervisors.  Up to a point, I think that such hierarchy is fairly natural and normal in the world.  But refreshingly, in this movie at least, the “outward and visible signs” of Director Tom Leroy’s sexually aggressive moves towards Nina are entirely instructional—as a Director, and only as a director, Tom wants Lena to put more passion into her dancing, and he feels she cannot do this unless she “feels” sexual desire more deeply herself.  Beside a couple of kisses, which seem just to end up as demonstrative professorial exercises trying to awaken something inside of Nina, nothing happens between them.  Director Tom simultaneously abjectly fails and even more abjectly succeeds, to no good end.   The line in St. Francis’ prayer “only in dying are we born to eternal life” comes to mind.

The elder “Dying Swan” Beth MacIntyre (it is insinuated without being articulated) was once Director Vincent’s lover.  But what does this mean or matter?  Nina longs to be like her.  Nina even steals Beth lipstick and other objects, but later guiltily returns them. Within the portrayal of Swan Lake, and the Ballet–she is the former star—back to Lake Nemi she is the only Priest, awaiting the new arrival of the next Rex (Regina?) Nemorensis.

Nina’s mother figure is likewise ambiguous.  Erica Sayers is domineering but kind, commanding but caring.  She claims to have sacrificed herself and her own ballet career.  She is an obsessive painter but above all she has invested her maternal and creative energies in her daughter Nina.  Erica restrains and represses Nina and does not want her to achieve the passionate release which Tom considers necessary to Nina’s apotheosis into a “Diva” of the Ballet.

Most intriguingly: Lily—Lily and Nina are a pair most reminiscent of Faith and Buffy in the Season III of Joss Whedon’s TV Series Buffy the Vampire Slayer (1997-2003). Faith was Buffy’s dark, sexual, rule-breaking and authority disrespecting “instinct rather than training-based” twin slayer.   The nightclub dance seen prior to Nina’s final “seduction” could be clipped and merged, almost seamlessly, with the parallel nightclub dance scene in Season III of BtVS called “Bad Girls” where Buffy and Faith go wild (or, rather where Faith tempts and draws Buffy into the wild scene for a while, and almost into Faith’s plunge towards the Dark Side).

The context of the story of Lena Thayer is the competition for the leading role in Peter Ilyich Tchaikovsky’s “Swan Lake” with all its magic and romantic intrigue made real in the modern City and Ballet company.   Lily, like Tom, tries to awaken lust and a sense of looseness in Nina, and her success parallels Tom, with equal ambiguity.

Ultimately, the story reveals Nina as her own black swan, her own shadow in the mirror, her own crowning achievement and tragic undoing in denouemente.

The Metapolitical message here is that yes, Freud was right that we are all screwed up in the head by our sexuality, but no, we can’t escape the consequences of our choices of our other actions.  None of us can see clearly, we see only through a glass, darkly, because we think, act, and speak only as children.  Also consistently Freudian is the message that sexual repression is the root of all evil.  What can we do but laugh and cry at the insistent repetition of these assertions throughout the world?

If there is a “moral” it must be that we all must engage in self-discovery, but that there is no necessary triumph or salvation through self-mutilation and death, even when it helps us achieve amazing goals which otherwise we could not have realized.  Our dreams reflect our dark side—our dreams shape our dark side—but without a proper control of light and shadow, we can neither see who we really are no who we ever should be, nor do what we should, nor know what we need to know without fully encountering our dark shadow selves—and this is why Freudian Psychology is eternally inferior to that of Carl Gustav Jung.