Author Archives: Charles Edward Lincoln III

Although a fight currently waged against metal and mortar, the glee attending the left’s dismantling of New Orleans’s Confederate statuary has taken on the stink of bloodlust.  Down go the statues of Beauregard, Davis, and Lee; up come&n…

Source: Although a fight currently waged against metal and mortar, the glee attending the left’s dismantling of New Orleans’s Confederate statuary has taken on the stink of bloodlust.  Down go the statues of Beauregard, Davis, and Lee; up come&n…

Requiem for Pierre Gustave-Toutant Beauregard

Sundown We Remember

The nation and your state might have forgotten
Their favorite Son of New Orleans

As True Southerners, we will
Never teach our children to admit that their fathers’ were wrong in their efforts to maintain the sovereignty, freedom, and independence which was their birthright

As True Southerners, we will not forget the honorable American Veteran standing here
PTG Beauregard
Not only a Soldier and Son but
A bridge maker of diversity

Last Tribute”
“Oh! Of him, we can say with all frankness,
At all time we found a truly beautiful judgment
For the humble veteran, for the widow subjected
To the blows of hard destiny, striking without regard!
Noble, great, generous: during his long life
Never the fatal venom of any dark suspicion
Could even caress his glory, his genius,
That gave him a divine prestige.
Tender husband, good soldier, and Creole knight,
His name, saintly balm to the hearts of Louisianans,
Will always shine, as the sun’s halo
That left a pure sky shine and never die
In the grave where rests a magnanimous warrior,
Near his dead companions the brave soldiers,
I come her to deposit for all a pledge of esteem
A modest laurel to your noble passing

Rest easy Nobel Son we will carry on

On Thursday, September 17, 2015—I spoke to the New Orleans City Council….

in my ideas: I spoke (for a whopping three minutes) at the City Council on Thursday morning and stated that the monuments should be protected by Federal Law under the 1969 National Environmental Policy and Protection Act, especially its “Cultural Resource Management” provisions and the National Historic Preservation Act.
 
I suggested to Councilwoman-at-Large Stacy Head, and the Council that an initial Environmental Assessment (E.A.) and Environmental Impact Statement (E.I.S.) should prepared concerning the physical and social environment of New Orleans. I would go so far as to suggest that the French Quarter and Garden District, at the very least, should be declared part of a UNESCO World Heritage Site.
 
So, I agree in principal that the monuments should be protected under Federal Law, but I do believe that all the monuments themselves rest on New Orleans Corporate (i.e. City owned) or Parish Property rather than Federal Property. I know of only one “National Park” within the City of New Orleans, namely the Jean Lafitte National Park…. If you know differently, please private message me and we can talk.
 
I met and introduced Tim Shea Carroll to the Archivist of the Clerk of Court, and I know he inquired about deed restrictions on the Beauregard Monument. If anything, there may be private servitudes under Louisiana Civil Code Law that control or should control the disposition of these monuments.
 
Landrieu has raised all this under New Orleans “Nuissance” Law, and “Nuissance Law” is fundamentally about land use and public policy—-I strongly contend that NEPA and NHSPA federally PREEMPT State and Local Nuissance Ordinances, but even just applying the Civil Code Law of Nuissance, I don’t think Landrieu’s position has any validity.

Wrap the Bonnie Flag ‘Round Me, Boys

Source: Wrap the Bonnie Flag ‘Round Me, Boys

Bardot: ‘You Can See Macron’s Lack of Empathy in His Cold, Steel Eyes’

Brigitte Bardon epitomizes all that is great in France—her art, her beauty, her personal grace, her love of animals, her patriotism and love of France.
Source: Bardot: ‘You Can See Macron’s Lack of Empathy in His Cold, Steel Eyes’

We need to keep in mind that Emmanuel Macron is a former employee of the Rothschild international banking cartel… so his support of the European Union and the Euro, and the abandonment of French Identity and Sovereignty, can only be described as “consistent and predictable”.  

Wikipedia reports (https://en.wikipedia.org/wiki/Emmanuel_Macron):

“Macron worked as an Inspector of Finances in the French Ministry of Economy between 2004 and 2008. In 2007, he served as deputy rapporteur for the Commission to improve French economic growth headed by Jacques Attali.[5] Macron paid €50,000 to buy himself out of his government contract in 2008,[10] and left to work as an investment banker at a highly-paid position at Rothschild & Cie Banque.[11]

International Banking is the source and origin of all communist globalism.  Karl Marx was Rothschild Dynasty founder Mayer Amschel Rothschild’s great great grand nephew… a fact not disclosed in most “mainstream” English sources, but easily confirmed on-line through Italian Wikipedia concerning Mayer’s fourth son, Nathan Mayer Rothschild (1877-1836): https://it.wikipedia.org/wiki/Nathan_Mayer_Rothschild

Il 22 ottobre 1806 a Londra ha sposato Hannah Barent-Cohen (1783-1850), figlia di Levy Barent Cohen (1747-1808) e della moglie Lydia Diamantschleifer e nipote paterna di Barent Cohen e della moglie, il cui altro figlio David Salomon Barent-Cohen (morto nel 1807) sposò Sara Brandes, e furono i bisnonni di Karl Marx.[1]

On 22 October 1806 in London he married Hannah Barent-Cohen (1783-1850), daughter of Levy Barent Cohen (1747-1808) and his wife Lydia Diamantschleifer and paternal grandson of Barent Cohen and wife, whose other son David Salomon Barent-Cohen (died in 1807) married Sara Brandes, and were the great grandfathers of Karl Marx.[1]

The connexion makes one wonder whether the Communist Manifesto, which advocates the abolition of private property in real estate through liberal extensions of credit by central banking in close cooperation with the government (after a Communist Revolution/Takeover) was really a platform for workers’ rights and revolution, or merely a family business plan….

I have never kept my admiration for Marine Le Pen and her father Jean-Marie a quiet secret.  When Jean-Marie and the Front National were just beginning and had hardly been heard of, I shocked my Francophile/Francophone friends at hopelessly liberal Harvard in the early-eighties when Le Pen first won his seat in the European Parliament (1984) (which he has held for an astounding 33 years since then) as well as representing the 20th arrondissement of Paris as a municipal counselor. 

For anyone who enjoys listening to French Political Debate, I highly recommend the Macron-Le Pen debate from day-before-yesterday, the breadth and depth of which actual discussion reveals American Political debates for the scripted stage rubbish that they really are: Marine Le Pen debates Emmanuel Macron (FOR REAL)

William Todd Overcash, M.D., Speaks out Against Family Court Corruption in Marion County, Florida, and the Florida Fifth District Court of Appeal

A tale of two movies—one I saw: GET OUT and one I didn’t: VERSCHWINDE!

First let me tell you about the movie (VERSCHWINDE!) I didn’t see:  In this movie, set in the 1920s, a very handsome young blonde haired and blue-eyed White Christian German man (let’s call him “Erwin Christoph Rommel”) falls in love with a beautiful German Jewish Lady (let’s call here “Rose Adele” who invites him to meet her parents beautiful country home for a weekend, as a token symbolic act of how serious their relationship as become.  

Rose Adele’s parents (let’s call them “the Armandsteins”) are extremely modern progressive scientists from Vienna, a psychologist and a neurosurgeon, to be precise.   Christoph, Adele Rose’s young German beau is from a poor family, no visible career or aspirations, down on his luck in the Weimar Republic’s post-“Great War” depression before the World Wide Depression of 1929.  

The young lady’s parents (the “Armandsteins”) make intense small talk always alluding to the young man’s status as a non-Jew from a poor background, noting his physical beauty and attractiveness.   This all makes young Christoph feel very nervous and uncomfortable, as does the fact that other young Christian Germans like himself work as the servants to this family—-and basically refuse to speak like normal young Germans and seem to act only as caricatures of happy subordinates, wound up to speak platitudes of praise and thanksgiving of their somewhat degraded status.  

As the weekend evolves, it turns out that the Armandsteins, Adele’s Jewish parents, and all of their extremely wealthy Jewish friends are members of a group that agrees and conspires to enslave White Christian German men and make use of them as sex-toys or else for medical experiments in the corrupt and decadent style of 1920s Germany and Austria…. The mother, a psychoanalyst (let’s assume he was a student of Sigmund Freud, perhaps named “Anna”) hypnotizes young Christoph and partially controls or influences his mind….  Meanwhile Adele’s Father D. Armandstein conducts a ritual game of some sort with the other like-minded Jewish guests at the weekend party, which is a regular annual family event of some kind, and reveals some sort of intent to target young Christoph for an unusual but clearly unpleasant fate of some kind or other.  

The climax of this movie comes when the Jewish Father Neurosurgeon Armandstein (acting like a mad scientist Frankenstein or Frankenfurter or whatever…) attempts to perform a brain transplant from Christoph to a blind Jewish art-dealer.  Christoph plays along until one of Adele Armandstein’s slightly dimwitted brothers prepares to transport him to the surgery room, and then breaks loose and kills or disables everyone in the Jewish family and begins to escape… only to be greeted at the gate by someone who at first looks like State Police, and then turns out to be a childhood friend who is a Nazi member of the SA…. the Sturmabteilung…. the predecessor to the Nazi SS of greater fame and infamy in the 1930s and 40s…

The movie ends with heroic celebration of the brilliance and heroism of the paramilitary office German National Socialist Movement which saved young Christoph from the fate of other young Germans hypnotized and enslaved by this clearly insane, repulsive Jewish family …  

I repeat: I have not seen this movie Verschwinde for a simple reason—it doesn’t exist (or if it does, it’s quite a coincidence…. please advise me if you know of anything like even remotely like it).   Verschwinde is the sort of movie that might well have been produced in the 1930s or early 40’s with the seal of approval of Paul Joseph Goebbels….  but it’s fairly certain that if such a movie were produced today, it wouldn’t premier at the Sundance festival or be generally released to massive audiences all over the United States in 2017….

But now let me tell you about the movie I DID just see today, Wednesday, March 15, 2017:  GET OUT, which did in fact premier at the Sundance Film Festival on January 24, 2017, and generally released by Universal exactly one month later, on February 24, 2017.   I walked out feeling, quite frankly, stabbed in the back (an historically appropriate but exceedingly uncomfortable feeling for the IDES OF MARCH…).

Chris Washington in GET OUT is not a White Christian German a young black African-American man, while Rose Armitage appears to be his very normal girlfriend.  They seem like quite a comfortable, typical modern interracial couple…. and they do indeed go for a family visit to meet Rose’s parents because, implicitly, in the modern way, they are getting really serious even though they always live together—there’s even a whiff of that horrible old tradition of “matrimony” in the air….

Bottom line folks—just rewrite the scenario I gave you for Verschwinde except that Upper Class White Americans are planning to use and destroy a young good-looking black man.  You can read a thousand on-line reviews of GET OUT—you can go see it yourself.

My point is simply this: IF “VERSCHWINDE” as I have described it above were a real movie and actually even made and existed, it would be immediately and universally characterized as a textbook example of RACE HATE movie.  The ADL (Anti-Defamation League) would Such a movie could never be made or released in modern times and, if it were, it would be suppressed and decried as the epitome of “blood libel” against the Jews, on the order of the story of Little St. Hugh of Lincoln….

So my question is—has America really sunk so low that it is acceptable to make movies like this where White People are the science fiction monsters exploiting blacks?

Oh, the SA aren’t really in this movie GET OUT, of course, but the equivalent paramilitary investigative and oppressive organizer of Chris Washington’s rescue is from the TSA—that’s right, the folks who frisk you at the airport… the Transportation Safety Agency.  I think the comparison with the original paramilitary organ of the National Socialist German Workers Party is completely appropriate….   This is Science Fiction as Historical Metaphor an Allegory… this is Science Fiction as Political Advocacy….

In case you didn’t know, my friends and fellow Americans, it is OK to hate white people and portray them as ignorant, insane monsters who pray on black people…. But just try to make Verschwinde!, and see what reception you’ll get at Sundance…..  Is the concept of hate according along racial lines any different?  Are upper class WASPS really so much worthier a target than Upper Class Jews?

I CHALLENGE EVERYONE READING THIS POST TO TELL ME HOW IT WOULD REALLY BE DIFFERENT IF THE ETHNIC IDENTITIES AND TIMES AND PLACES WERE CHANGED?  WHAT DOES IT MEAN ABOUT OUR SOCIETY TODAY THAT IT IS COMPLETELY ACCEPTABLE TO MAKE THIS MOVIE ABOUT WHITE PEOPLE BEING EVIL TO BLACK PEOPLE, BUT IT WOULD BE A COMPLETE ABOMINATION TO MAKE THE NAZI MOVIE ABOUT THE JEWS?