Tag Archives: V-for-Vendetta

Let’s Face it: We who Support the Constitution and Private Property ARE ALL TERRORISTS NOW IN THE EYES OF THE GOVERNMENT! So let’s put on our Guy Fawkes’ Masks and Terrorize some Government Officials who Desperately Deserve it! Down with the Patriot Act! Down with the Use of the Accusation “Terrorist” to Silence Dissent!

$250,000.00 Bail on Five Felony Counts.   I received this sad message form Charles Koppa in Southern California—another ordinary American fighting for her rights has been jailed as a Terrorist.  Let’s face it—ALL OF US are potentially terrorists in the eyes of this hopelessly deranged government and its police instrumentalities.   I long for the day when Americans will rise up, as at the end of V-for-Vendetta, all wearing their masks—and storm the government.
FROM CHARLES KOPPA:
HELLO, AGAIN!   PLEASE CIRCULATE AND POST BREAKING NEWS
 6/22/2013  CJK 760-787-9966 

Barbara Bratton Jailed As Domestic Terrorist:

God-Fearing Woman Exposes Foreclosure Fraud

Who:              Family and Friends of Barbara Bratton, Homeowners’ Rights Advocate

What:             Pre-Preliminary Conference (Court Hearing)

When:            Monday, June 24, 2014, 8:30 a.m.

Where:          Dept. S22, San Bernardino Superior Court

351 N. Arrowhead, San Bernardino, CA. 92415 Map

Ignoring well-documented cases of fraud and abuse that continue to plague the home mortgage industry, the City of Ontario Police Department has instead set its sights on Barbara Bratton, 55, jailed as a domestic terrorist for challenging the validity of property records used to foreclose on her loan.  A pre-preliminary conference is set for Monday, June 24 at 8:30am in San Bernardino Superior Court, 351 N. Arrowhead, San Bernardino, CA 92415.  Homeowners’ rights advocates will be on hand to show support.

Background:

Barbara Bratton, a life-long resident of Ontario, California and an outstanding community member, was the victim of an illegal foreclosure on her family home of 40 years.  Since 2008 she has conducted a tireless and well-documented campaign to expose the land title fraud on her home.  An important piece in this complex case came last year, when a Lending Processing Services (LPS) executive pled guilty to filing more than a million fraudulent property documents in county recorder’s offices across the country.  The fraud on the Bratton home was linked to the suit.  Yet the LPS scheme masked a more insidious crime: the securitization of nearly all home loans since 1996, making it impossible to determine who, if anyone, actually owns the note on a home. 

To back up her case, Ms. Bratton began working with San Bernardino County Recorder Dennis Draeger and his staff to conduct a thorough search of the property records on her home.  In a signed declaration authorized by Draeger, his custodian of records concluded that the involved parties lacked the authority to foreclose on the Bratton home.   To set the record straight, Ms. Bratton filed a corrective deed at the County Recorder’s office on April 11, 2013 — a preliminary step towards gaining court recognition of fraudulent foreclosure.  To insure proper procedure, she asked the Secretary of State’s Office to validate the document with their seal before filing with the county recorder. For additional insurance, she attached a copy of her 2012 notice to the police of title fraud with her request to have them investigate (a request they ignored.)

Ms. Bratton’s actions to correct property records on the family home were fully above board, with no intent to harm or defraud.  The City of Ontario’s punitive efforts to defame Ms. Bratton reveal how desperate officials are to ignore the fraud that continues to pollute property records in a county with some of the highest foreclosure rates in the country.  Until property records are corrected, judges will continue to sanction illegal foreclosures, and the perpetrators will go unpunished.

Homeowners’ Rights advocates will be on hand for the hearing at 8:30 a.m. on Monday, June 24th to show their support for Barbara Bratton in her fight for justice on behalf of hundreds of thousands of homeowners who have become unwitting victims of fraudulent financing and foreclosure practices.

************* 

Charges:  

Barbara Bratton has been charged with 5 felony counts:  2 violations of Penal Code Section 460(d) forgery, and 2 counts of PC 115(a) procuring and offering false or forged instrument.  She has also been charged with 1 count of PC 459 second degree burglary.  Law enforcement authorities are alleging she is a domestic terrorist.  Bail has been set at $250.000.

Supporting documents:

Court documents available upon request.

Contact:

Geraldine Watson – Email: gerribwatson@gmail.com  Cell: 909-215-6265

Brenda Orea – Email: brenda@hdcofhollywood.com   Cell: 909-243-0449

Dolly Medlock – Email: yourdoll2@gmail.com             Cell: 909-489-3621

Susan Daya Hamwi – Email: susandaya@yahoo.com   Cell: 310-210-7550

Lydia Breen – Email: FriendsofBarbaraBratton@gmail.com Cell: 661-414-2862

“Behold El Capitan,” “Remember the Maine,” Guy Fawkes’ Day, September 11, and the Culture of Deception

Some of my happiest days as an undergraduate at Tulane University were spent in Dixon Hall under the tutelage of my voice and singing instructor Francis Monachino, long-time Chairman of the Tulane & Newcomb Music Departments and a great and inspiring teacher.

My first part in any major production at Tulane was as “Senor Amibile Pozzo, Chamberlain of Peru” in John Philip Sousa’s Comic Operetta El Capitán (Premiered in April 1896 in Boston & New York). I never realized it at the time, but this comedy had great historical significance, and may have played a part in launching 20th Century America’s Culture of Deceit and Deception.

The plot is pure farce, on its face: “El Capitán” is in fact Don Enrique Medigua, a fictional Spanish Viceroy of Peru, which was in reality the richest of all the dominions in the New World, whose production of gold, silver, and agricultural products far outstripped even Mexico during the 16th, 17th, and 18th Centuries. Don Medigua fears assassination by rebels, and secretly arranges for the murder of the (real) rebel leader known as “El Capitán” (so the real rebel leader plays no part in the operetta). Unbeknownst to the rebels or anyone except his Chamberlain Pozzo, Don Medigua disguises himself as El Capitán and sabotages the rebel movement from within, but not before allowing the beautiful Estrelda, daughter of the former Viceroy, to fall madly in love with him based on his reputation as a fierce terrorist and warrior. Don Medigua’s actual wife and daughter think he has been kidnapped by the rebels and have Pozzo pretend to be the Viceroy so that the Spanish born Aristocrats of Peru will not lose hope and despair. An enterprising band of rebels then capture Pozzo, believing him to be the real Viceroy, and bring him before El Capitán who is, of course by this time in something of a pickle. But Don Medigua disguised as El Capitán has so completely exhausted the rebels by his “mis-leadership” that the rebellion collapses, the Spanish nobility wins, and the story ends “happily.”

A thought that never occurred to me when I was playing Pozzo at 16 (to Anthony Laciura’s brilliant performance as Don Medigua/El Capitán) now seems so obvious to me: was it mere coincidence that the most popular writer of military marches in American history composed this operetta less than two years before the sinking of the Battleship USS Maine in Havana Harbor on February 15, 1898. Most historians now concur that the Maine, the second armoured cruiser (pre-dreadnought Battleship) in the U.S. Navy, was deliberately sunk by its crew for the sole purpose of inciting American popular opinion in favor of America’s first “World Wide War” of expeditionary conquest (i.e., the direct precursor of Vietnam, Afghanistan, and Iraq). El Capitán exemplifies the literary, historical, and/or dramatic trope that certain ideas appear first as a comic joke and then are later taken seriously: if John Philip Sousa’s operetta was not the template for the sinking of the Maine, it is nevertheless a remarkable historical coincidence that Don Medigua first murders and then impersonates his enemy in order to defeat him in a popular drama that was still playing all over the United States when the USS Maine blew up.

And yes, I write all this at the close of Guy Fawkes’ Day, November 5, 2011: Remember, Remember the Fifth of November, the Gunpowder Treason and Plot; I know of no reason why the Gunpowder Treason should ever be forgot. I like to pat myself on the back and brag that no sooner had Osama bin Laden been named as the perpetrator of 9-11 than I predicted with great confidence that he was the new Gunpowder Plotter, and that 9-11 was the new 5th of November. I predicted that bin Laden’s name would endure forever beside Guy Fawkes, but unfortunately, I had no role in producing the amazing movie based on that theme which came out in 2005, on the 400th Anniversary of the original Gunpowder plot in 1605.

V-for-Vendetta remains, to my mind, probably the finest political movie of the century, and I mean the past hundred years since the beginning of the cinematic film industry, not just the 21st Century in which we have lived for barely 11 years. Natalie Portman and Hugo Weaving marvelously portray the principle characters in this story which explores all the possibilities of the use of the Guy Fawkes gunpowder story, and this movie has in turn given a new birth of metaphoric and dimensional analysis to the study of false flag attacks, false heroism, and the role of government as “first among all liars.”

There is not a shred of doubt that the movie V-for-Vendetta is the story of 9-11, metaphorically, allegorically, fictionalized as Britain under a pseudo-Fascist (Adam Sutler, whose name is awfully reminiscent of Adolph Hitler) instead of the United States of America under a pseudo-Republican (George W. Bush), in future time rather than historical, but with so many direct references to 9-11 and associated events…. well, it’s just incredible.

Also incredible to me is that the Wikipedia article on V-for-Vendetta does not even mention the parallels between the Sutler regime’s use of false-flag bioterrorism against the British people and the (9-11 “Truth Movement’s” theory that the) Bush regime used false-flag air terrorism against the American people. To me, the parallels are inescapable: the producers of V-for-Vendetta analyzed the same facts concerning recent history as those which gave rise to the 9-11 Truth Movement and came to the conclusion that terrorism originates not (primarily anyhow) with real Muslim extremists but with governments who see the “genius” of fear and use it against their own people to suppress civil liberties and maintain power.

The Muslim terrorists (in both North American and Western European modern history and V-for-Vendetta mythology), to the extent that they are real, are rather like Guy Fawkes in the 17th century. Modern Muslim terrorists, like Papist plotters of the past, have great value as symbols and embodiments of a real but rather vague threat to the national identity which justify the use and maintenance of real power. The Papist threat in England could only materialize when it comes in the form of a Catholic King (like King James II Stuart, grandson of James I, against whom Guy Fawkes allegedly plotted, and younger brother of Charles II who had no legitimate offspring [although he had literally dozens of illegitimate children by his mistresses]. The tumultuous history of 17th Century Stuart England focused on the maintenance of royal power through popular fear of Catholicism, balanced against royal fear of popular power manifested through Cromwell’s Civil War and Commonwealth (including the Regicide/Martyrdom Murder/Execution of King Charles I on January 31, 1649 after a preposterous “show” trial of the King for treason) and finally the “Glorious Revolution” of 1688-1689 which firmly established the modern Constitutional Monarchy of Great Britain ruled by Parliament.

In Adam Sutler’s England, like George Bush’s America, maintaining fear of Muslims among the people supported the repression of the historical “English Freedoms” secured under Elizabeth I, James I, Charles II, and William III & Mary II. If there are real fears of Muslim domination in America, they are coming to fruition under George W. Bush’s successor, “Barack Hussein Obama” whose name resoundingly echoes both “Osama” (bin Ladin, the modern Guy Fawkes) and the former dictator of Iraq whom George W. Bush decided to eliminate to maximize control over a nation which simply did not accept the “Bush doctrine” of Global government under US control.

Any way you look at it: elaborate governmental lies concerning faked attacks and falsified heroes have been used to justify strong central governments for a very long time now. It is hard to say whether the original Gunpowder Plot was real or staged. The “November 5″ plot on King James I and his wife and Court MIGHT have been real, and if so, it was a REALLY stupid plot (there was not enough Gunpowder under the houses of Parliament or any other explosive technology available in 1605 to have blown through and killed the King). Even if successful, the plotters had no Papist “nominee” lined up to become King of England on King James’ death, and James’ eldest son at the time, the future Charles I, was only two weeks short of five years old on November 5, 1605. (But admittedly, if James AND his children had been killed, legitimate succession at that point might have been very difficult, in that no English Monarch since Henry VIII had had any children: all of Henry Tudor’s children: Edward VI, Mary I, and Elizabeth I, died childless, possibly in part a testament to their own horror at their father’s gruesome “family and marital” life and history).

Other historians have seen Guy Fawkes as a “Patsy” (scapegoat) comparable in real role and status to Lee Harvey Oswald in the assassination of John F. Kennedy, being the “Fall Guy” for the “False Flag” Gunpowder Plot just as “9-11 Truthers” (including this writer) believe that Osama bin Laden was merely the “Patsy” for the events of 1998-2001 and afterwards which gave rise to the USA Patriot Act of 2001 and all the subsequent greatest suppressions of English and American liberties in the entire history of both nations since the reign of Henry VIII (who died 102 years and 3 days before the execution of Charles I, on January 28, 1547).

The study of “false flag” terrorism and warfare is a rising subject of historical deconstruction. It is stark testimony to the general lack of confidence people have in the U.S. government that a large number of people (polls differ) disbelieve the “official stories” of the Warren Commission concerning the events of November 1963 in Dallas, the origins of the Vietnam War in the “Gulf of Tonkin” incident the very next year, in August of 1964, and the subsequent stories of the events in the 1990s at Ruby Ridge (Idaho), Mount Carmel (Waco, Texas), Oklahoma City, the US Embassies in Nairobi and Dar es Salaam, and finally 9-11 itself in New York, Washington, and Pennsylvania. Pearl Harbor, the trigger for World War II, was obviously not a “False Flag” attack (there is not and has never been any doubt that the Imperial Japanese Navy was correctly identified as the culprit, and that it acted under official orders from Tokyo). But many Americans (and others worldwide) believe that President Franklin Delano Roosevelt had despaired of ever finding a politically adequate or emotionally sufficient excuse to embroil or involve the United States into World War II, and so he either expressly invited the Japanese to attack or at the very least intentionally disabled the U.S. Naval and air forces around Hawaii in early December 1941.

The governments of the United States and the United Kingdom, in this day, appear to be governments based on a culture of pure deceit and deception. All governmental pronouncements and actions should be regarded with the most stringent suspicion. As one of the newscasters says in V-for-Vendetta “we just report the news, we don’t make it up….that’s the government’s job.”